Home to the Jay Levine Dreamscape Project

"Muy Divertido" -Eds.

Explore it!
The following is not actually part of The Subway Diaries (or any other Dreamscape) but it seemed to embrace the ethos (not to mention the setting) of the category so well, that we include it, here, for your enjoyment.


I sit, as it were (crouched, really, my back braced to a wall), in the twilight dawn of subway station X, the twilight dawn that stretches, dim, through all these lonely and darkened corridors during any period of the night, every night.

Can you feel the breeze? It comes noticeably from my left, from the north, ruffles my hair... would ruffle these pages were I to relax my hold. That’s the air pushed ahead through the tunnel by the next approaching train. And look! Up the track, still in the tunnel: two yellowish eyes come a’rattling and a’screeching its approach: a #9 train, heading south? Well, thankie much; don’t mind if I do.

Now I sit in another expanse, internal and metallic and mobile this time, descending the colon of the beast, a long smooth chromium turd sliding down down, to dump me downtown, as it were.

And Look! Stuttering through the girders and briefly glimpsed as they rattle past: every station a book-in-waiting, if only I would take the time and...

Ah. The ride smooths as we coast from 116 → 110 on steady rails and no propulsion, superconductive it feels, steady as the night. Now we slow, pause, ka-ching, doors open, souls descend and disembark, or vice versa, as the case may be... ding ding... "Stand clear of the closing door!" to lurch us on our way.


The yellow/orange plastic pre-formed curves designed to palm the average NY bum. (Or “transient,” as I believe correct terminology these days, or "unsavory," by others [Cam!...]). And my bum too! It could be Mickey Ds, in here, with the form-fitting molded orange and beige plastic of it. But listen!

A rush of air. A higher whine. The low-slung murmured gossip that animals make to pass the time, distract the mind, from the terminable darkness.

Oh, hark. Why have we stopped now? No tiled aquarium glow to be glimpsed, just blank blackness outside the scratched and plastic windows, maybe a hint of grimy tunnel wall pressed close up to the glass. But still... feel that? A hum. The deeper, burning, glowing surge of electricity held in check. Do any of us really know: the thrumming power that feeds the grid?

Oop, on the move again. And someone laughs as we lurch and leave the station (103rd). Out of 22 passengers in this car (yes, I counted) I am not the only caucasian. Another sits opposite and ½ way down, his chin propped on knee-propped fist… no socks, white t-shirt, shorts (it’s damned hot, remember). And me, now, as we arrive at 86th (“Stand clear of the closing doors…” ding...ding. Swoooooosh. Hummmm.) Yes me. I'm glad you asked: red socks, red t-shirt, khaki shorts… I write. For no apparent reason, I write. I am a “writer”, pen to paper, thus. But when I pause (which I don’t often) what then? For example, as we hit 79th and I glance up to take assessment… When I pause to lick the quill and look around. Still a writer? Definition unclear.

"Burden of Proof" (by Scott Turow) is the novel the man held; the man who (bearded, bespectacled, marching resolutely from one car to the next, bracing himself occasionally from swaying) passed, just now, in front of my knees and, for a moment, through the world of my perception and description…

Hark! 66th street… south, south and south some more we go (59th next). Ding ding.

… but am I still a writer then?

I am surrounded now it should be glumly noted. And it ain’t no fun. To my right, to my left, and above, hanging one arm on the crossbar. If one of these scurrilous fellows so much as side-eyes they can read every word and meta-word (and meta-meta-word) I scribe. Well, fuck ‘em all! To hell with them! I scribble on, undeterred, and determined, it might appear, to set a new, and, as yet unconceived record, to be the first, foremost and probably ONLY person to scribble virtually unceasingly from 125th Street (ah, respite from the prying eyes: 42nd Grand Central brings an equally grand exodus, a general emptying of the train, the good from the chaff, as it were [chaff, including me, left on board, as only those heading TRULY downtown stay] and I can breathe again with some space and lucidity and privacy around.) Yes UNCEASINGLY, is what I was saying, I shall pull meaning from the void and press it in ever tightening spirals and hieroglyphs to this page, to be exhumed someday and marveled at by future sociologists and historians alike. They will ogle and gasp, unable to believe, equally unable to deny: the only person, I propose, ever to write perpetually from 125th Street to Christopher Street, unstopping! AND, as 14th St is now behind us, it appears I might just make it since Christopher is next and no more power outages in sight. Still, man plans and god laughs and when's the last time a power outage was predicted never mind spotted, so I won't count it yet, not yet, but now! The train slows! The aquarium glow. Most importantly, I can’t miss my stop (that would be a disastrous and dastardly turn of events). CHRISTOPHER STREET. Ding ding. Jayson, out!

The Subway Diaries i (14/85)

March 22, 1996

Choose a different dreamscape

Reasonably confident, finally, of the date [for the last week or so I’ve been floating in a kind of nebulous date-fog]

Crowded train, heading uptown – couldn’t get my cherished chair but I am in the final car and I’m against a wall so I feel fairly safe and at ease. Tough choice today: received a letter from ___ and since I had no time previous to read it (absorbed, as I was, by dreaded dratted, chess) it remained unopened in envelope almost sacrilegiously. I’ve always read correspondence first thing, and under normal circumstances I would have brought it on the train, glad to have the pleasant distraction. As it was, however, and what with my newfound commitment to this subway journal (travelogue?) – tough choice had to be made and I chose to record. I’d rather be a lightning rod than a seismograph, isn’t that what Kesey said. Well, my lot, for now, is as seismograph, registering the minimal vibrations of this train and immediate environs. The missive remains untorn, on the table, at home. I made the right call, based on the quality of my prose here (nevermind penmanship) thus far, but I still feel as though I’ve betrayed her. Ah well, such is life.

Speaking of train, damned if I didn’t miss my stop yesterday, on the way to work, so engrossed was I in scribbling. I looked up, wondering if I had one yet to go or if I was there (77th) only to see the unfamiliar 86th St. station. Grabbed my bag and dashed out – surprised. Can’t let THAT happen again. As we’re mysteriously detained, now, at 59th, it’s unlikely.

And speaking of writing, I feel I’m getting closer to releasing… what? A torrent of words? Speaking in tongues? [This just in: word via scratchy intercom that this train is delayed due to “sick customer.” Surely they intended to say “passenger,” n’est ce pas? And what exactly is a “sick customer,” anyway? Are they rolling on the floor, gagging? I hear no indication of disturbance, or ruckus, from any of the preceding cars… heart attack? In all likelihood we will never be privy to this info. And does “Privvy” have two ‘v’s? And who cares anyway…?]

But to get back to the previous premise before the ungodly interruption, I feel closer to being convinced that the time draws nigh to lift again the mighty (unwieldy) pen and strike a blow in the name of art and (more importantly) personal peace of mind. I could have almost begun today, if only… [hark! We’re moving].

0 Like

Write comment

Your email address will not be published. Required fields are marked *

Once Per: